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2x 6V6GT, aprox. 18 Watt with 4, 8 and 16 Ohms. Traditionally made, with authentic materials, paper bobbin. Made after original specs of the 1957-1959 Fender 5E3 Deluxe amp but with additional 4 + 16 Ohm tabs to allow propper connecting to an alternative speaker set-up and various external cabinets.

Output transformer for Fender Twin Amp (models made from 58-60). 4x6L6/5881, 4 Ohm. For High Power Tweed Twin, Twin Amp 5F8 - 6G8-A (= 125A4A). With additional 4 and 8 ohm taps! Made in USA. Attention: high induction, only to be used with low B+ voltages up to 450V!

Direct replacement Power Transformer. Application: Fender Tweed Deluxe Amp (5E3 etc.). New Version: 2 inch stack and C.T. on filament for low noise. Supports 6L6GC and GZ34/5AR4 tubes too!

Power transformer for the UK at Marshall made VOX AC30TB and AC30TBX, Reissue, Model Nr. AC30/6TB.

Genuine ENGL Output transformer for ENGL Screamer 50 (E330). For 2x5881 (6L6GC), 50W 8/16 Ohm. Also used in the Thunder series and Fireball 60 (E625).

Direct replacement Power Transformer. Application: Marshall 100W Plexi, horizontal version (laying down). Models 1959, 1992, made in 1966 - 1969.

Power transformer for the Marshall JTM30 series like JTM310, JTM312.

Direct replacement Power Transformer. Application: Marshall 50W Plexi, horizontal version (laying down). JTM 45, 1987, 1987, made in 1966 - 1969.

Direct replacement Power Transformer. Application: Marshall 50W, vertical version (standing upright). Mod. 1986, 2204, made in 1970 - 1989.

MAINS transformer for Peavey 6505+ 112 Combo, replaces #30549310. Does not fit the 6505+ 120W Head.

Mains transformer for Peavey Classic 50, replaces #705-29312. Comes without end bells.

Mains transformer for Trace Elliot, Hexa Valve, made by Dagnall.

Direct replacement reverb drive transformer. Application: Fender since 1964 (Fender part 022921), Boogie, etc.

Used to mount TO220 transistors to heatsinks.

Two pieces of transparent gloves. Size L.

Trapeze tailpiece with machined mounting bar. Chrome. String spacing: 48mm. Length: approx. 150mm.

This is an easy to install mod to avoid treble bleed and get a more uniform tone on your volume control from 1 - 10. Hand soldered 150k carbon composition resistor in parallel with a 1nF ceramic capacitor.

This is an easy to install mod to avoid treble bleed and get a more uniform tone on your volume control from 1 - 10. Hand soldered 150k carbon composition resistor in parallel with a 1nF Orange Drop capacitor.

Black Tremello knob with red indicator line. Size (DxH): 19x15mm. For knurled shaft 6,0mm. Push-On.

The Tremol-No Pin-type is designed to work with tremolo blocks that do not have a flat base, such as those that around rounded or beveled (to allow for more tremolo travel).

Tremolo arm tension spring. Makes the tremolo arm stay in place and not wiggle around any more.

Replacement tip for use with tremolo arms. Cream, screw on.

Replacement tip for use with tremolo arms. Parchment, screw on.

Replacement tip for use with tremolo arms. White.

Replacing strings on a floating tremolo system can be a challenging and time-consuming task. However, the new string changing tool simplifies the process significantly! When you're prepared to replace the strings, press the tremolo bar downwards and slide the thin edge beneath the bridge. The gentle pad located beneath the tool sits on top of the guitar, allowing you to effortlessly reach the string locking hex screws found on various bridge systems. You can opt to replace the strings individually or all at once.

Tremolo spring claw screws (4 pieces). Size: #8 x 1-3/4 inch long.

Tremolo mounting screws, 6 pieces. For vintage tremolo. Length: 1 inch (2,54cm). Black.

Tremolo Spring Claw, metal.

Set of 6 tremolo springs, extra hard tension.

Set of 6 tremolo springs, standard tension, stainless.

Tremolo studs, direct to wood. Set contains 2 studs.

This 1:1 transformer operates in the 20 Hz to 20,000 Hz range, making it suitable for a broad application spectrum in the audio industry. This device is used in line matching, telephone coupling, pulse trigger, driver, interstage, and isolation input and output applications. Primary: 1k. Secondary: 1k.

Triangle, including stick. Size: 15cm

Triangle, including stick. Size: 25cm

Triangle, chrome plated, with beater, diameter: 8 mm, 6 inch

Triangle, chrome plated, with beater, diameter: 8 mm, 8 inch

Dunlop Trigger Acoustic Guitar Capo

Dunlop Trigger Acoustic Guitar Capo

Dunlop Trigger Acoustic Guitar Capo

Dunlop Trigger Acoustic Guitar Capo

Dunlop Trigger Capo
for Mandolin

Dunlop Trigger Capo
for classical guitar

The TRIO Plus is a user-friendly guitar pedal that automatically creates bass and drum parts for your song based on how you play.

This is the ultimate front end for your recording channel. Play your guitar or bass without having to carry around a bulky amplifier. Just stick a BigAmp in your pocket and you are always ready to play. The BigAmp is a small, high-end D.I. amplifier with a BIG sound. Mady by Triton Audio.

This is a phantom powered, high quality preamp preceding the microphone cable that improves the sound quality of a dynamic microphone. Boost your Microphone signal. Attach FetHead on to a balanced microphone cable and plug it in a dynamic microphone, switch on phantom power and enjoy the FetHeads natural open sound! Made by Triton Audio.

The FetHead Filter is a Fethead version with a built-in 6dB/octave high pass filter with a corner frequency of 220Hz (other cutoff frequencies available on request). It is specially designed for microphones which exhibit an excessive proximity effect / low frequency response, like long motor ribbon microphones. The components which make up the filter are not directly in the signal path but are applied to the components which set the gain of FetHead Filters amplifier, thus making it frequency dependant. This way the sonic character which makes a FetHead attractive to the ear is preserved.

The FetHead Phantom is a FetHead version which allows phantom power to reach the microphone. It was developed after several requests from different audio engineers to build a FetHead for condenser microphones with low output. We tested FetHead Phantom on a broad range of condenser microphones and are very happy with the results. It works well with electret microphones like the countryman or an AKG C1000. These are microphones which consume very little power, FetHead Phantom also works great on real condenser microphones like a U87 or even with an Oktava MK319 which consumes a hefty 8mA!

The Triton Kompressor is a phantom powered analog FET-OPTO compressor with a one knob design. Great sound shouldn’t be complicated. The inline opto leveller delivers smooth and natural compression. The single knob adjusts compression levels from Less to More. An orange LED inside the knob indicates when the signal reaches the compression threshold. Kompressor adds +25dB of gain, which decreases as more compression is dialed in.

Blocks Phantom power, not the signal.